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The history of the Miraj Factory in Bucharest: from “Macul Roșu” in the 1950s to niche perfumery today

The history of the Miraj Factory in Bucharest: from “Macul Roșu” in the 1950s to niche perfumery today

By Andreea Bisinicu

  • Articles
  • 29 APR 26

For many generations of Romanians, the name Miraj does not mean only a perfume brand, but a true state of mind. During the communist period, when access to luxury products was extremely limited, a Miraj perfume represented elegance, refinement, and a small privilege that few could afford. For many, Miraj was the mother’s perfume, the memory of an embrace, of an elegant dress, or of a special evening.

The beginning of „Macul Roșu”

Few Romanian brands managed to remain so strongly in collective memory like this perfumery factory which, for decades, dominated the cosmetics and perfume market in Romania. From its beginnings under the name “Macul Roșu,” in the 1950s, to the transformation into a modern niche brand, Miraj went through periods of glory, decline, and rebirth.

The Miraj Factory was more than a simple perfume producer. It represented one of the most important expressions of the Romanian cosmetic industry, a symbol of accessible elegance and of an era in which perfume became a form of personal identity.

Today, after more than half a century, Miraj returns to the market in a completely new formula, but with the same mission: that of transforming perfume into an emotional and memorable experience.

The beginnings in the 1950s: the “Macul Roșu” factory

The story of Miraj begins in Bucharest, in the 1950s, with the establishment of the perfume factory “Macul Roșu.” In a period in which Romania was trying to rebuild its industry after the war, this factory quickly became one of the most important production centers for perfumery and cosmetics.

“Macul Roșu” took over and integrated an important part of the experience and know-how of Romanian perfumeries from the interwar period. Even though the new political and economic context was completely different, the tradition of fine perfumery did not disappear, but was adapted to the new industrial realities.

In a relatively short time, the factory began to launch numerous perfumes that would lay the foundations of the future success of the Miraj brand. The products were created for the general public, but they kept a certain aura of refinement, in an era in which such products had a strong symbolic value.

For the Romanians of those years, perfume was not a simple accessory, but a sign of elegance and status. A well-chosen bottle of perfume could become a precious gift or an object kept carefully for many years.

This emotional relationship between consumers and the product would become one of the greatest strengths of the Miraj brand in the following decades.

The glory years: how Miraj became the leader of Romanian perfumery

In the 1970s, the “Macul Roșu” factory went through an important rebranding process and became Miraj. This was the moment when the brand began its true rise and became the main producer of perfumes and cosmetics in Romania.

Miraj was not only a new name, but a new image. The brand managed to gain prestige both on the internal market and internationally, in a period in which Romanian exports in the cosmetics field were considered important for the socialist economy.

In the 1970s and 1980s, Miraj was producing tens of millions of units annually, reaching approximately 27 million products per year. The factory had around 800 employees and operated on an impressive scale even by today’s standards.

For many Romanians, Miraj represented one of the few products considered luxurious in the Golden Age. Its perfumes had a special aura and were often offered on special occasions or kept for important moments.

Among the best-known perfumes launched by the factory were Miss Miraj, Draclee, Jubilee, and Opera. These names remained deeply imprinted in collective memory and continue to arouse nostalgia even today.

The olfactory signature of Miraj perfumes was, for many connoisseurs, the distinct violet note. This essence became almost emblematic for the brand and is considered even today one of the most loved olfactory signatures in Romanian perfumery.

Miraj and Ana Aslan cosmetics: success beyond perfumes

The Miraj Factory did not produce only perfumes. An extremely important part of its activity was dedicated to cosmetics, and here the success was just as great.

Miraj owned the Gerovital brand and the formulas developed by the famous Ana Aslan, one of the most respected personalities in Romanian medicine. The products based on her research, especially anti-aging creams and treatments, became renowned even internationally.

The treatment centers associated with these formulas attracted famous personalities from all over the world. Among the names associated with Gerovital treatments were Frank Sinatra, Claudia Cardinale, or Ronald Reagan.

This connection between Miraj and Gerovital strengthened the image of the factory as a symbol of refinement and Romanian quality. It was no longer only about products for internal consumption, but about a brand that managed to attract international attention.

In that period, Romanian perfumery and cosmetics had a clear identity, and Miraj was one of the strongest expressions of this industry. The factory had become a landmark not only economically, but also culturally.

For many foreign clients, contact with Miraj and Gerovital products was one of the first encounters with the idea of Romanian luxury.

The decline after 1990 and the disappearance of the historic factory

After the fall of the communist regime, many of the large Romanian factories entered a difficult period, and Miraj was no exception. The change from a centralized economy to a market economy brought huge challenges for companies that had functioned for decades in a completely different system.

International competition suddenly became much stronger, and Western brands entered the Romanian market massively. In this new context, Miraj began to lose ground.

In 1989, the factory went through a new rebranding process and became Gerovital Cosmetics, trying to capitalize more strongly on the notoriety of Ana Aslan products. However, the financial difficulties continued to deepen.

The years that followed were marked by restructurings, uncertainty, and the gradual loss of the dominant position on the market. In 2008, the company was declared bankrupt, and the activity in the original location ceased.

Also during this period, the rights over the Gerovital brand were completely transferred to Farmec, and the story of the Miraj Factory seemed to end definitively.

For many Romanians, the disappearance of this name was felt as the loss of a piece of personal and collective memory. Miraj was not only a closed factory, but a symbol of an era that was disappearing.

The rebirth of Miraj: niche perfumery and the new boutique identity

Ten years after the apparently definitive disappearance of the brand, Miraj was to return surprisingly to the market. In 2018, the name Miraj was registered again, and in the following four years it was rebuilt and reimagined as a Romanian boutique brand of niche perfumes.

The new company has a completely different management, and the project is financed entirely with private Romanian capital. The objective was not the reconstruction of the former industrial factory, but the transformation of Miraj into a modern, elegant, and competitive brand on the author perfumery market.

The founder of the new brand, Florin Găină, explained that present-day Miraj no longer aims for the huge figures from the communist period. If in the Golden Age production was on the order of tens of millions of units, today the objectives are much more selective: 5,000 units for 2023 and 10,000 for 2024.

This change does not represent a regression, but a strategic repositioning. Miraj no longer wants to be a mass brand, but a niche one, based on quality, identity, and sensory experience.

According to the founder, Miraj represents today a boutique brand conceived in Romania and developed together with recognized experts in international perfumery.

The essences are produced at the famous Domaine Sainte Blanche, the place where master perfumer Edmond Roudnitska created perfumes for legendary houses such as Dior, Hermès, or Rochas. The ingredients are carefully selected from all over the world, and the final production takes place in Bucharest.

The new Miraj perfumes and the plans for relaunching the legends

One of the most difficult decisions in the relaunch process was choosing the creative direction: relaunching the old formulas or creating completely new perfumes.

The Miraj team chose for the new to prevail. Thus, the first launched products were two completely original perfumes: Miraj Caramel and Miraj Velur.

Miraj Caramel is a feminine perfume from the musk-gourmand-floral family, with strong persistence and a rich olfactory construction. It combines notes of caramel, patchouli, and tiare flower, on a base of tonka beans, vanilla, and an intense presence of musk.

On the other hand, Miraj Velur is a masculine perfume with an oriental-spicy-amber structure. The top notes include black pepper, bergamot, and cypress, followed by saffron, coriander, papyrus wood, and vetiver, on a base of amber, resins, leather, patchouli, and cedar wood.

For these formulas, the brand collaborated with Stéphanie Bakouche, an award-winning perfumer and active member of the International Perfume Conservatory L’Osmothèque Versailles, known for collaborations with important houses such as L’Artisan Parfumeur, Maison Crivelli, or Masque Milano.

However, the nostalgic public is waiting for the return of the great classics. The founders admit that the relaunch of the historical perfumes remains a priority, especially because of the importance of the violet note, considered sacred for Miraj lovers.

The current estimate is that, in the next 1–3 years, legendary perfumes such as Miss Miraj or Draclee will return to the market.

Today, Miraj products can be found in selected stores in Bucharest, Cluj, Sibiu, and Brașov, but also online, and the brand carries forward the same promise as before: that perfume is not only a product, but a memory that remains.

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